No Matter

by Poet on the Piano   Jul 18, 2012


No matter how submissive the night is,
I will originate a succession
of a hundred tones, that all begin with
your melody.

No matter how long my limbs have sat
upon hard, scorching seats,
I will not sprawl flat 'cross my bed
until
I have thought and thought
all I can for you...

Because you have not yet been
captured, in anything but the
greys of memory-
and I will spend the night reflecting
on the person I've come to know,

and the one I wish to combine
days we ran through
secret meadows for us,
on black and white keys
with sunflower's disposition
that speak something of the
new unknown,

No matter how humanly plain
I may seem to you, I will draft
you sand-prints, notes
about to be swimming in ink
as French meters train
and long, prose-like words make
your eyes

indecipherable.

No matter how late the night is,
I won't let it end without the music
of you.

Written 7/17/2012.

4


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Latest Comments

  • 10 years ago

    by -Choke-On-MY-Halo-

    It's truly beautiful I love the last part of the poem because of the username you own quite beautiful really,also love that's romantic in a way 5/5

    -Bet

  • 12 years ago

    by Darren

    Can't believe I missed this on my old account,

    this is great, a deserved winner
    Glad I caught it this time around

  • 12 years ago

    by nouriguess

    'MarryAnne,

    I believe your poetry is one of the most visionary, sentimental arts I have ever stumbled upon. Poignant beginnings that capture one's mind in no time, subtle descriptions, simple language, novel similes and much more at every ending. I feel as though this speak was meant to depict something deep-seated inside of me yet I couldn't portray it with words, simple as yours.

    I love the use of 'submissive' when picturing the night and how it felt to me so long and heavy, I believe the night is just a metaphor out there to describe something more real and less faraway. Night can be anything gloomy. And a tone could symbolise a ray of hope or a bunch of memories.
    The second stanza is just magic. I could repeat it over and over again and it won't lose its meaning. I could imagine what you have put here. The scorching seats is such a clever simile. I love the vocabulary, only that I feel you could use something more poetic than just 'sat' and 'hard', etc. I like it when I learn new words from poetry, not that I'm telling you to shove long expressions into every line where it's not needed or well-placed, but you could still make the poem more interesting with some risk. I understand that you want to keep it simple in this piece, considering its meaning and soft atmosphere, yet I feel I would've enjoyed it in that way. I wasn't too keen on the 'captured in the greys of a memory' bit. I feel it's not quite a good way to connect the first stanzas with the rest. Anyway, this beauty:

    'I wish to combine
    days we ran through
    secret meadows for us,
    on black and white keys
    with sunflower's disposition
    that speak something of the
    new unknown'

    It's so rare that I love a statement too much that I can't let go of it but here I do, it made the whole poem for me. The meadows, black and white keys and the sunflower's disposition...and finally the unknown. I'm just speechless. I will only assume you meant that an old memory has been retaken or someone from the past has come back to you by the 'new unknown'. How you connected the past 'meadows, flowers' with the present.

    The next stanza is just bitter. What I got from drafting sand-prints, notes swimming in ink (i.e. filled with her words) and the trains a very nostagic image. I love trains and all the subjects you mentioned there, when I see such concrete imagery in a poem, I start to fall in love with it. And I guess I have read your poem for so many times and I'm not over it yet. Seriously captivating.

    'prose-like words make
    your eyes

    indecipherable.'

    I'll learn this by heart and keep it on my PC. I could quote it forever.
    I feel I'm just rambling here and I only want to let you know how much I loved this.
    Also loved the repetition of 'no matter'.

    Well-done. (10)

    - Judging.

  • 12 years ago

    by Blissful

    This is utterly beautiful!

    I could just sense the nostalgia stitched throughout this whole piece. The opening was just perfect. I really liked your use of "submissive" because I have never thought the night to be that way until I read it in your poem. Now I can totally see it in the stillness of the night.

    "I will not sprawl flat 'cross my bed
    until
    I have thought and thought"
    ^What a creative way of saying "go to sleep" !

    Brilliant poem. Loved it.

  • 12 years ago

    by Ingrid

    I can see why this won:)

    Congrats sweet girl, so well deserved!

    *hugs*

    5/5 Ingrid