Quite honestly, I found myself falling in love over and over again with the first stanza. It read so smoothly and I've always been a fan of word play. I also liked how you described both sides of romance, both birth and death.

I actually really enjoyed this poem but I don't know how to express myself, maybe because I relate so much to this situation.

So, sorry, I'll just fill this comment with one minuscule snippet of criticism. =p

The second stanza read a bit off to me, maybe it's because the first line ended do abruptly with the word "wrong" even though the sentence basically continues within the second line. So I was thinking of changing the enjambment a bit to this:
"I caught you in the wrong moment
to bare my tender soul"
^ But I wasn't satisfied because after further thinking I thought ending the line with "wrong" allowed some playground for double meanings, so I didn't actually wanted to change that. Because in the original line it could read both like "I caught you in the wrong" (< maybe finally finding out some dark secret about the person you're speaking about?) or "I caught you in the wrong moment" (< meaning it wasn't his fault, it was just life being nasty). If you know what I mean.

So I thought, maybe this works:
"I caught you in the wrong
moment to bare my soul"
^ I omitted the word "tender" because I thought that's where the line felt off: it had too many syllables. And I thought "tender" wasn't much of a necessary adjective because "baring one's soul" is already quite a tender activity.
But, yet again, I am not sure, I could understand the extra punch of adding the word "tender", so yea ... It's your poem, so feel free to choose either one of the options, or none of them. *shoves all responsibility your way* =p

Oh, and I found myself missing the half-rhyme in these lines too:
"-the only journey I dared
to risk all I ever knew."
So how about:
"-the only journey I dared
to risk all I'd ever known."
^ If that's grammatically correct?

It would be such a pity if only this stanza lacked the half-rhyme that's consistent throughout the other stanzas.