RESULTS RESULTS RESULTS
Congratulations to the top three finalists. You can have a breather of two to three days now. Digest your feedback, read, relax, reproduce and rejuvenate your brains for the Championship ahead. I like that 2 of the top 3 did not bother with bonus points at all. This indicates how damning and deceptive these allurements can be.
All Heat 3 participants have been awarded with a pirate hat. Congratulations, all!
To all you eliminated challengers... prepare for the WILD CARD round, starting in a couple of hours. One of you may still make it to the finals. On your toes, everyone.
Special request: I ask everyone here to please refrain from hinting at how you have fared in this contest, both within and outside of clubs. This is serious stuff you guys.
_________________
20 points (7+6+7):
In that tree, Maria
"This poem could have risked drudgery with its heavy repetition, but I found the more I went along, the more the repetition built up and contributed to a powerful tone. Some phrases seemed more awkward, like "muscular stature," but overall I thought the imagery was pretty fresh, and some of the lines were very original. I especially liked "your silhouette was there, poised starkly against a darkness I could not name." This phrase had an ominous air, but more than that the words just sounded good together. Can I stress that to everyone here? *You don't need fancy things like "mellifluousness" or "dreams dropping crystalline striated tears." You just need to have a solid understanding of how words sound around each other. That is all.* Ultimately I just liked how this poem read. Like a mantra. A portrait of a complicated and conflicting personality."
"had the most thought provoking title -- the content was ambitious and lengthy. Could have been a lot more precise and confined but I enjoyed the gradual build up and steady revelation of persona through the piece. Ending was weak, bit of an anti climax."
"far surpassed the others in a poetic sense. Kudos to the poet who scribed such a lovely piece. Do check your spelling though."
------
18 points (3+7+5+3BP):
Optic Death and the Color Vision
"The mash-up of themes was a little off-putting to me. I thought "American English" seemed tossed in more as an afterthought than as a real consideration. Also, I thought the reference to Brialle was a little off topic. I understand it's drawn from the Keller quote, but unless the poem is actually about Helen and not about a tree.... there's my issue. Beyond that, I thought this author showed a good talent for pacing and phrasing. The line breaks were pretty well placed, and the poet uses punctuation to create the desired effects of pauses and stops."
"Love the title of this one."
"inspired, and melodically written"
"was a bit haphazard but inspired in tone. The 'gift' of language really came across through some carefully chosen adjectives. Sibilance was a nice touch, and was the most pleasant read out of the seven."
-------
16 points (5+5+6):
Ballerina
"This poem really seems to get at the "spirit" of a tree: rings draping around a core, songs that only the tree can dance to... The tone and the rhythm both seems to mirror the slow, stately passage of time to these big growing things. It makes you wonder how our perspective would be different if time sped up, and we could really see those branches stretching and trunk shimmying."
"contained some interesting imagery with clumsy cliches. Mostly forgivable because the tone is refreshing and the language is appropriately dainty."
------
14 points (6+4+1+3BP):
Vengeance.
"Alright, guys.... who wrote the pirate poem? I honestly can't tell if the poet is snickering behind this language, or if it was sincerely used. (If this was secretly Kevin I'm sorry and I know you know English, but.) I generally have no patience for this archaic "thee and thou" language. I will say, if you're going to use it, use it impeccably. In this poem, if you insert modern words into their counterparts, the poem does not quiiiite translate well."
"did nothing for me except come across as unintentionally comic. Seems to try too hard to use archaic syntax and structure but comes across quite naive and the meaning is lost through clunky word choices. Admire the author's attempts though, credit due for taking on a risky form."
------
12 points (2+2+4+4BP):
Tiny Dancer [Villanelle]
"For such a tricky, finicky form, this author did well. I thought a little more of a punch could be added to the lines; when you use so few, repeated so often, there's no space for idleness. My favorite Villanelles are ones that, with their spare number of lines, can use those same lines in several different ways to evoke unique meanings every instance. This poem seemed a slight step below that (which is fine because I bet it's really hard to do!). But they did succeed in using those lines in rhythmic ways so that, when repeated, they built upon the overall mood of the piece."
"cute, but that's about it. The flowery imagery was nice, but the flow was awkward and the rhyme was predictable and tired. The character wasn't given any precise detail, just vague and unimportant imagery. Wrong choice of form in my opinion."
------
11 points (4+3+2+2BP):
American English
"I didn't think there was much that necessarily detracted from this poem, but it just sort of sifted through to the bottom of the pile. I thought the structure was sound, but the language was kind of half-hearted, which muddled the content."
"tries too hard to bring the title into the actual body of the poem but fails as it sinks further and further into obvious observations delivered, ironically with broken syntax and an odd rhyme scheme. Disappointing."
------
4 points (1+1+3-1P):
Our Soul
"I felt like a giant dick placing this so low, because it has such a pure and righteous message. That said, I would have liked to see more proficient originality in the rhyming, and perhaps some phrases that took us even deeper into the emotions behind the poem. As it is, it has a good message but it's just skimming the surface of it."
"too clumsy and trite for my liking -- seemed preachy and shallow. Grammar was skewed, rhyme was forced and the poem goes off focus to sum itself up...not of a good standard."
|