RESULTS RESULTS RESULTS!
I'm not going to waste any time, poem #1, excellent job you will be joining the 3 finalists in the final round! The fourth & final round will be posted in a few minutes!
30 points (10+10+10):
Poem #1
"Of all the Wild Card poems, I found this to be the clearest and strongest. Its set-up reminds me of the saying "whatever floats your boat"; obviously connected with the given title and quote. The most remarkable thing about this poem is its parallelism. There's apparent repetition, but also a less recognisable kind of repetition. Notice the seven seas, the meteors (part 1) and the ocean, the strike of a star (part 2). I wonder whether there's a relation between the plurals vs singulars. It seems to me that the writer is trying to juxtapose something huge to something small; emphasizing the silliness of those who questioned the persona's sanity.
Nitpicking: I didn't really understand the lines "should either ... my heart", I'm not even sure WHO's chewing and I'm not able to track down the significance.
Nevertheless, a most profound write, with a most lovely ironic ending."
"This is the poem that is easiest to relate to of the three - it pulls the picture and quote prompt right away, and feels as though it's supposed to be there. It had a certain quality of uniqueness that stuck out, and played well on the title - multiple facets of potential death. I love how different and odd this poem is - something you definitely didn't expect from the three prompts."
"This was my top pick. I enjoyed this slightly whimsical piece and although it didn't explore the depths of Van Gogh's quote as poem 2 it still had enough in it to convey some of his intent. It flows well making it easy to read with a lovely twist at the end, I pondered the use of weather but thought it worked really well, wether intentional or not.. :P, Well done"
18 points (7+7+4):
Poem # 2
"Personification is the essence of this piece and imagery moves with the waves of the oceans, taking its time to breathe. I can see the enthusiasm of the writer as they wrote it. Perhaps too enthusiastic, letting the
imagery "hyperventilate" and running into too many details. After a while, I began to wonder when the poem would end. There's nothing wrote with large poems, as long as they keep the reader interested. But here, I could almost predict what would happen after each line. It's not as tightened as Poem # 1. However, there are a few sparks in here that are inevitable to elude. One of them being the sense that the ocean and humans move together, topped off by subtle repetition."
"The structure of this poem is a little hard on the eyes, from first glance it made me not want to read. However, when reading, it had a great message of vulnerability and insecurity. The writer held a strong image of the quote prompt, and a very, very subtle image of the picture prompt, which I think could have been brought forth more and fit well. The images were strong in the poem and truly was an interesting read, almost as though you're listening to an old Navy vet talking of his tales at sea. Beautiful!"
"The longest poem by far which explored Van Gogh's quote more than the other two. I read this poem many times and I can almost feel this poet exploring the imagery but it didn't quite touch me as it should. Still a very good read, well done"
15 points (4+4+7):
Poem #3
"The writer has rhythm fine-tuned, but their rhyme messes things up. It's become monotonous and I think the title is too heavy to conclude such indifference. As a reader, I felt trapped in an emotionless painting. Of course, the poems has its dramas, but they're not original. I liked the wisdom of the ending line, though."
"This poem was strong and catchy, and it's hard to mark this low. The only reason this wasn't 2nd place is due to the ending, I feel it was lost in the rhymes and didn't end nearly as strong as it began. The first two stanzas held strong rhymes that didn't seem forced and a great flow, but just didn't quite hit the mark."
"I really enjoyed this concise internal rhyming poem and the story it conveys, this poet has a great understanding of rhyme and meter."
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