What is Forced Rhyme.
I heard people talk about forced rhyme alot, so I decided to research what qualifies a 'forced rhyme' exactly.
"Forced rhyme". This is a big no-no for formal poetry writers everywhere. Forced rhyme can be found in amateur poetry everywhere you look. Its presence is so pervasive that poetry markets specifically mention 'forced rhyme' as one of the criteria for manuscript rejection. In a nutshell, forced rhyme occurs when the writer is so desperate for a rhyming word that he or she convolutes the entire structure of the poem to make a 'proper' fit. This is often referred to in professional circles as 'Moon/June/Spoon' poetry. An amateur poet may not even realize that he or she is guilty of this practice. But any poet who has critiquing experience will spot forced rhyme immediately. Here's an example of forced rhyme, with all due apologies:
I hoped that she was heaven-sent,
For me I found my heart's cement.
I hope you have the same reaction I did when I wrote that phrase. Of all the words that would have fit the mood of the first line, why would I choose the word 'cement'? Because I didn't spend the time to choose a more appropriate end rhyme. The second line had to be inverted in order to fit the rhyme and rhythmic structure. This is why it is called 'forced' rhyme. All that force is used to make a round word fit into a square line, and it still sounds ridiculous and trite. If you receive this sort of criticism, spend some time reading good formal poetry to see how the established poets would have handled the phrasing problem. Consider what underlying sentiment you are trying to express in rhyme and find more appropriate words that will work. Consult a 'rhyming dictionary' if you cannot think of any other way to phrase your lines. Forced rhyme is not a crime, but takes some time to be sublime. You get the idea.
http://www.essortment.com/interpret-five-common-criticisms-poetry-64008.html
We consider a rhyme to be forced:
1when the arrangement of words is twisted around to put a rhyming word at the end of a line when it would normally be in the middle of the line somewhere,
2.when a person extends a line beyond reason to put a rhyming word at the end of the line,
3.when a person uses a tone inappropriate for their poem to get a rhyming word,
4.when a person inserts a line that doesn't really go anywhere or mean anything to get a rhyme for another line, etc.
For instance:
1. I love you more every day that I live.
If you were in trouble, my life I would give.
This is not normal speech. Normally we would say 'I would give my life if you were in trouble.'
2. I rode out to Texas on a palomino horse,
With a promise on my lips that I would bring law to this town, even by force.
Whoa! Check out the length of that second line! It's a mile long!
3. He jerked the bloody hook into the cow,
and said, "I would not want to be thou."
The violent aggressiveness of jerking a hook into a cow, meant to shock the reader, doesn't really agree with using archaic language like 'thou'. There wasn't much of an animal rights movement in the Middle Ages . Maybe a movement for people' rights to have enough animals to eat...
4. Cradle the razor like a baby to your arms,
Nurture the wounds as flocks upon your farm.
*Coffee-crotch burn litigation is absurd.
Let blood replace your tangled, jangled nerves.
*the offending line. What does McDonalds' lawsuits have to do with cutting, or the cathartic effect of such poetry?
Here's another case:
5.Rhyming a stressed syllable with a non-stress syllable can cause a forced rhyme:
I rhyme so much, I start to sneeze;
and from my nose I blow cookies!
The 'ies' in cookies is a non-stress syllable, while the 'eeze' in sneeze is a stress syllable. When you say it out loud, the rhyme is kind of awkward.
http://allpoetry.com/column/7523857-What_is_Forced_Rhyming__-by-Mephitic_ID_Synergy
Now, in my opinion a "FORCED RHYME" is a rhyme or line that just doesn't work with the poem. I have no problem with flipping a line, rearranging the structue there of. In fact, that was just part of my writing/english college placement test. The task was to pick the best rearranged line (sentence) to the original, having it still keeping the essence and meaning of the sentence, and be grammatically proper. So, if you can do it eloquently, rearranging a line to make your poem work, I consicer a skill, but the key is "doing it eloquently". I base my rhyming and writing on how well it works 'Auditorily' - when you hear it. If it works, I'll go with it, if it doesn't I won't. A profient rhymer can put rhymes together that the average person could not conceptually put together, nor see working, but once they've heard it, they go that was really well played. Bad rhymers rhymes just sound awkward or sophmoric.
What is a "forced rhyme' to you, what a some of your examples?
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