HM’S:
“Found” by: Ben = 10 points
“Between you and me” by: Em = 7 points
“In Too Deep” by: CJ Maleney = 7 points
“Strawberry love” by: Mr Darcy = 7 points
“Amber Birches” by: Mark = 4 points
“a few words in april (haiku)” by: Mr. Darcy = 4 points
“Battle Standard” by: Tony = 4 points
“Life” by: Mark Rawlins = 4 points
“Lingering confession” by: brise = 4 points
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COMMENTS:
“Found” by: Ben
“There was a lot said last term about poems simply resonating with a judge; that there can be little else to help them make their decision - technical brilliance, form, rhyming, imagery etc often being largely irrelevant. Well, it is with a poem like this, and now as a judge, that I feel the full weight of that. This resonated with me like few poems have - in fact, it did so four or five times! One man's journey from a bleak, metaphor-filled hopelessness, where he cannot recognise even himself anymore, to a calmness and serenity that can only be found under 'burning suns and frozen seas' and between 'branches of old sycamores'. Nature heals, as is told throughout this marvellous piece, but it also inspires, as is evidenced by the poem's very existence.
In terms of suggestions, only that 'and yet still, I am here' then 'As I lay here' sounded a little repetitive to my ear - what about just dropping the second 'here' and making that line 'as I lie staring up...'. Not sure. Anyway, I am honoured to be able to award it my first '10' of the new judging term as I believe free verse doesn't come much finer than this.” (10)
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“Between you and me” by: Em
“A person may read this and quickly dismiss it. They may think, it an immature write. They would be wrong. The wonder with these short forms is they often speak on different levels. The title suggests a relationship. In this case one of secrecy. The author is urging us to listen: psst, I have something to tell you in hushed tones. So, straight away I am, all ears:
This 5/7/5 form suits the senryu form, that being about human nature/ foibles. They often speak about dark and/or cynical themes.
The first two lines set, successfully I might add, a happy scene - this is important for this form, if there is to be an, all important, cause and effect element. The third line should make an impact. Those of us that know Em, know she works as a dinner lady. She paints the scene: One of 'nice' children talking/laughing/playing whilst having lunch. But, hey, didn't she use the word 'quicker'? This poses a subconscious question. Why would this be a positive thing?
Then comes the turn, a juxtapose positioning of children and clowns and day and night. It is an eerie and works well.
The appearance of clowns is genius. We have all seen clowns at the circus, families laughing as they chase each other with buckets full of water and custard pies. But, there is the sinister side too. Clowns induce fear into children and adults alike; just read, Stephen King's IT if you are not convinced. I think it is the strange face paint, depicting, the ever-present smile that freaks a person out.
I read this into the poems intent: Why would a person stay at home, hour after long hour if that meant facing their demons? Like Em, they would choose to keep themselves busy, keep that haunted mind occupied with positive images, like school children.” (7)
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“In Too Deep” by: CJ Maleney
“A dark, descriptive, and deeply relatable series of quatrains drew me "in too deep" to CJ Maleney's nightmares this week. I don't know if it was the relatability or the artfully engaging rhymes that kept me coming back to this poem, but something about it made me change my votes this morning that I had already decided on last night.” (7)
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“Strawberry love” by: Mr Darcy
“I suppose what I find intriguing about this piece is what its real and unadulterated meaning may actually be. Yes, absolutely, it could simply be about biting into a sweet and juicy strawberry, savouring its taste long after it has been consumed...or perhaps it is about something different altogether. I feel, as far as my heightened position as a judge goes, I must leave it there and trust to the reader's own imagination. However, it is wonderfully laid out, full of craft and imagination - as is typical of this writer - and, in all, a very delectable sort of write that I enjoyed thoroughly.” (7)
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“Amber Birches” by: Mark
“I am not ashamed to say that I struggled with this poem; I really had to dissect and read it a few times to truly appreciate it. There is a timelessness to it that brings the reader to an almost Victorian era Whether it was the way the rhymes force the reader to pronounce words in an older fashion to get the full effect of the rhythm, the diction, or the beautiful imagery that accomplished the peculiar effect is lost on me. I think everyone who reads this beautiful piece will walk away with a different meaning and that, in my humble opinion, is half of its charm.” (4)
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“a few words in april (haiku)” by: Mr. Darcy
“This poem has its own hidden beauty. I see people write too much and not be able to portray the emotions very well, yet you delivered so much in just three lines. It touched my heart in zillion ways. Haiku has two fragments. I think you should have put a comma after the rain, plus it should have been started with a uppercase letter and there should be a period in the end.” (4)
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“Battle Standard” by: Tony
My sleeve is where my heart is worn,
Barely beating and battle-torn.
^^
“It's not least because of this fact that I am so fond of Tony's work. He is capable of so many different styles, undoubtedly, but it's these no frills, 'heart on sleeve' sorts of writes that always leave me cold and he seems to turn them out at will. They hit you like a kick to the guts, especially considering he writes from genuine experience in terms of being a soldier and has obviously suffered a good deal. Well done, Tony.” (4)
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“Life” by: Mark Rawlins
“I liked this wry look on life. The poem sets out nicely down the page, in a series of challenging, rhyming quatrains, that, for the most part, flow really well. It is a shame, however, that substance was used over form. Maybe this was the authors intent? Showing us that sometimes we need to rebel from societal structures, in this case poetry structure. If this was the case, a footnote would have helped.
It is clear that using the metaphor of a crap sandwich was all important. I like it, on the surface the sandwich looks great, that is, until you taste it. Adding more bread will make it more palatable, enabling you to get through it/life. This verse and the final one stumble and consequently detract from what is otherwise a great flowing poem.
In life we have many decisions to make. Choices like, eating chocolate, or wholemeal pasta. If we make too many frivolous ones, we may be happy, but at what cost? Conversely, if we deny ourselves the pleasures in life, we suffer too! What is a person to do? Mark wants us to live for today, tomorrow may never come. I know it sounds cliché, but life often is.” (4)
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“Lingering confession” by: brise
"Well I am here on this site for few years now and what I observed is that most of us write about a particular emotion or what we can relate to or what is happening in our life at the moment. Brise mostly writes about secret love affairs in a sensual way and there is no wrong in expressing such emotions. There are such moments come when we desire our lover to have every bit of us or to please us with every inch of them. Each one of us has our hold over a particular style or format. Brise expresses her emotions towards sensual love with rhyme. I didn't find any flaws in the poem but the first two lines of the last stanza interrupts the flow of the poem for a inch. Did I just say inch? I am really talking in her language now." (4)
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