No, he's American, one of the most famous language poets.
CHARLES BERNSTEIN, A Defence of Poetry
My problem with deploying a term liek
nonelen
in these cases is acutually similar to
your
cirtique of the term ideopigical
unamlsing as a too-broad unanuajce
interprestive proacdeure.
You say too musch lie a steamroller when
we need dental (I;d say jeweller's)
tools.
(I thin youy misinterpret the natuer of
some of the political claims go; not
themaic
interpretationmn of evey
evey detail in every peim
but an oeitnetation towatd a kind of
texutal practice
that you prefer to call "nknsesne" but
for poltical purpses I prepfer to call
ideological!
, say Hupty Dumpty)
Taht is, nonesene see, msm to reduce a
vareity of fieefernt
prosdodic, thematic and discusrive
enactcemnts into a zeroo degree of
sense. What we have is a vareity of
valences. Nin-sene.sense is too binary
andoppostioin, too much oall or nithing
acccount with ninesense seeming by its
very meaing to equl no sense at all. We
have preshpas a blurrig of sense, whih
means not relying on convnetionally
methods of conveying sense but whih may
aloow for dar greater sense-smakihn than
specisi9usforms of doinat disoucrse that
makes no sense at all by irute of thier
hyperconventionality (Bush's speeches,
calssically. Indeed you say that
nonsense sheds leds on its “antithesisâ€
sense making: but teally the antithsisi
of these poems you call nonselnse is not
sense-making itself but perhps, in some
cases, the simulation of sense-making:
decitfullness, manifpultaion, the
media-ization of language, etc.
I don’t agree with Stewart that “the
more exptreme the disontinuitites . . . the
more nonsisincialâ€: I hear sense
beginning to made in this sinstances.
Te problem though is the definaitonof
sense. What you mean by nomsense is
soething like a-rational, but ration (and
this does back to Blake not to meanion
the pre-Socaratics) DOES NOT EQUAL
sense! This realtioes to the sort of
oscillation udnertood as rhythmic or
prosidci, that I disusccio in Artiofice.
Crucialy, the duck/rabitt exmaple is one
of the ambiguity of aspects and clearly
not a bprobelm of noneselnse: tjere are
two competing, completely sensible,
readings, not even any blurring; the
issue is context-depednece )otr
apsrevcyt blindness as Witegenstein
Nonesesen is too static. Deosnt’t
Prdunne even say int e eoem “sense occurs
“at the contre-coup:: in the process of
oscillatio itself.
b6y the waylines 9-10 are based on an
aphorism by Karl Kraus: the closer we
look at a word the greater the distance
from which it stares back.
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